Published: Friday, October 19, 2007
Page 2 of 2
This is a nice book - There are nice pictures, really nice large centre-spreads that portray each work.
The work is varied, startling and exciting - like the gas station under construction with its dramatic roof structure, or the bold red house featured on the cover.
At the same time, some of the work displays a light, breezy indoor-outdoor-blurring modernism that, the book acknowledges, is reminiscent of mid-century tropical Modernists such as Richard Neutra or R.M. Schindler.
On the other hand, some projects, though simple in form, are enlivened through a kaleidoscope of colours and patterns. You can stare at each image for quite a while, just like I did. This does help in deciphering each work, as the details and materiality of each work comes alive.
Even so, with a layout and presentation that emphasizes imagery over inference, we are made to wonder. Is this meant to be merely an eye-catching catalogue? Or a 'hard' substitute for a website that emphasizes visual content? Is this book really as unpretentious as it seems? Or is it reflective of a practice that is still finding itself?
One really wishes that the book did a bit more justice to the remarkable work it tries to represent.
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