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Published: Tuesday, March 25, 2008

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K Office

"The project, born from a dialogue between a rectangular plan from whose perimeter new walls are inserted and central organic forms was built using over 3000 etched glass bricks. The new architecture has become a body of light inside a casing of horizontal lines, generating distributive flows without static divisions and has great functional flexibility." says Lapo Ruffi Architetto on K Office.

By: Lapo Ruffi Architetto

Architecture-Page | K Office by Lapo Ruffi Architetto
Interiors of the central curvilinear shape.

Words from the architect

In Montecatini Terme, inside the Kursaal complex by Aldo Rossi a series of very regular volumes have become a new office system space. The project, born from a dialogue between a rectangular plan from whose perimeter new walls are inserted and central organic forms was built using over 3000 etched glass bricks. The new architecture has become a body of light inside a casing of horizontal lines, generating distributive flows without static divisions and has great functional flexibility.

Architecture-Page | K Office by Lapo Ruffi Architetto
Interiors of the central curvilinear shape.

The central curvilinear shape, together with the existing boundary creates many different visual sequences, orientated in all directions inside a space, where the tension between the content form and the geometric divisions dominates. The intensity of the light and the colour of the light change during the day, trapped on the glass handles producing different chromatic effects both on the inside and on the outside. In this space created of pure abstraction the curves of the central wave emanate luminosity in the shape of disks of light in satinized aluminum set in irregular fashion and set off by the whiteness of the ceilings.

Architecture-Page | K Office by Lapo Ruffi Architetto
Interiors of the central curvilinear shape.

The flow of the curves is alternated with iron openings in the translucent membrane and large moveable panels in black coloured wood. Reducing to essentiality the variety of the surfaces and materials, glass, iron, wood, resin the formal rigour continues from the offices into the inside space to the conference rooms where the opal surface lets in natural light expanding the whole. Architecture inside architecture: a translucent glass dimension as solid as it is transparent.

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