Published: Thursday, March 20, 2008
Page 3 of 3

Photograph by Hannes Henz, courtesy of EM2N.
The dynamics of the new building is counteracted by the presence of the heavy stage tower. A skin of perforated steel and aluminium sheeting covers the building "all over", thus underlining the equality of roof and walls. With the exception of the few precisely composed "eye windows" and the glazed entrance area, the aluminium sheeting covers dozens of small windows. The theatre obtains two faces like the neighbouring Hallenstadion: at daytime it seems mysteriously secretive, while at night a glittering and festive atmosphere is created.

Photograph by Hannes Henz, courtesy of EM2N.
The inner organisation reacts to the new urban gesture. The new entrance at the junction is visible from all directions. The restaurant was relocated from the unattractive location at Wallisellenstrasse to the more prominent side of Thurgauerstrasse, gaining a direct visual relation to the Tram stop and the Hallenstadion.

Photograph by Hannes Henz, courtesy of EM2N.
Interior materials.
A direct, raw and industrially charged atmosphere was the aim, which provides an independent and unpretentious background for the musical productions. This was achieved by exposing the surfaces of the structural work such as the concrete walls and floor, and the technical elements of steel beams and service installations. Painted concrete and the accentuated lighting create a vibrant atmosphere.

Photograph by Hannes Henz, courtesy of EM2N.
The auditorium was deliberately planned to be dark and conservative: after all, the spectacle and the music take the main stage. Red seats on a red carpet were the only design elements.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.

Photograph by Hannes Henz, courtesy of EM2N.
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