Published: Monday, March 31, 2008
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"The challenge was to create a comfortable dwelling that could be made liveable in all weather conditions, transforming the mundane architecture of the existing dwelling house but informed by the robust quality of the 1918 gunpowder store on which it had been built." says Tonkin Zulaikha Greer Architects on Zulaikha Laurence House. More
"The winning scheme in the City of Sydney Design Excellence Competition, this project explored the redevelopment of the disused, heritage-listed Scots Church in Sydney’s CBD." says Tonkin Zulaikha Greer on Portico - The Scots Church Redevelopment. More
"The bridge, a complex curve in plan and elevation, is a tubular steel truss faced with the same austenitic steel as the main sound walls, which at this point appear to leap over the road in a gesture of welcome or farewell." says Tonkin Zulaikha Greer Architects on Craigieburn Bypass. More
"The client, Liverpool City Council, required the design of the staged conversion of a derelict power station as a multi-use cultural centre to serve a range of professional and community groups in the region as well as accommodating touring productions by professional companies, special exhibitions and major one-off events." says Tonkin Zulaikha Greer Architects on Casula Powerhouse Regional Arts Centre. More
"Developed by the NSW State Government through Arts NSW, the former 1888 Carriage Workshops building required transformation into an innovative new centre committed to the conception, development and presentation of a wide spectrum of performance and contemporary arts in Sydney. “says Tonkin Zulaikha Greer Architects on CarriageWorks. More
"The concept for the Arboretum arises from a particular taxonomic strategy - from a method of curating and arranging trees, in an ordered collection, as though for a tree museum." says Taylor Cullity Lethlean on Canberra Arboretum. More
Extract from "Tonkin Zulaikha Greer", ed. Patrick Bingham-Hall, Pesaro Publishing, Sydney, 2005.
"Tonkin Zulaikha Greer signify architectural practise in early 21st Century Australia. There is immense respect for and knowledge of Sydney, their city of operation, and a desire and expectation to create a great urban model. They have a reflective, self-critical attitude to their own work and its place in the city; an understanding of the value of working with existing built fabric and the cultural values it embodies; a constant desire to be contemporary in their formal solutions and the issues they embrace; a willingness to be experimental and to take each project on its own merits; and a profound respect for the discipline of architecture." Geoffrey London.
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