Published: Saturday, July 19, 2008
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"The client approached us to generate ideas for the 1,500 square foot blacktop roof above his loft in a renovated 1920s warehouse..." says Johnsen Schmaling Architects on Parts House Pavilion. More
"The rhythmic modulation of the wood slats, reinforced by a series of thin structural steel columns supporting the mezzanine, forms the backdrop for a continuous ribbon of back-lit, custom-fabricated cellular plastic panels weaving through the two-story space." says Johnsen Schmaling Architects on Downtown Bar More
"The Camouflage House sits on a steep lake bluff, its narrow, linear volume nestled into the hillside. Approaching the house from the rugged access road weaving through the site’s heavily wooded plateau, the building’s faint, low-slung silhouette virtually disappears in the surrounding vegetation." says Johnsen Schmaling Architects on Camouflage House. More
Sebastian Schmaling and Brian Johnsen
Johnsen Schmaling Architects was founded in 2003 as a design and research studio in Milwaukee. Since then, the work of Brian Johnsen and Sebastian Schmaling has garnered critical attention for its conceptual clarity, formal discipline, astute detailing, and its unequivocal commitment to architectural innovation and sustainability - an "architecture of melancholic silence and intense restraint", as Rodolfo Machado writes in a recent exhibition catalogue of Johnsen Schmaling's projects.
Practicing in a region shaped by the tensions between a besieged urban rustbelt and its agrarian hinterland, Johnsen and Schmaling use both city and rural sites as complimentary laboratories for their ongoing architectural investigations. Their projects are informed by a poetic reading of site and terrain that rejects contextual mimesis as much as modernism's preoccupation with self-referential objects; instead, Johnsen Schmaling's intense dissection of context and cultural memory translates into an abstract palette of articulate architectural operations and a sober design vocabulary, transcending both entropic rustbelt fantasies and bucolic sentimentalism that, for decades, have stymied the architectural discourse in Middle America. Equally important is their experimentations with the "extended surface" - the blurring of boundaries between interior and exterior, public and private, and foreground and background, derived from carefully studied tectonic, material and tactile manipulations of conventional building systems and new technologies. Johnsen and Schmaling employ a rigorous design methodology that takes advantage of digital tools and fabrication techniques but, more importantly, relies on physical, analog models at all scales. These models, from preliminary, abstract concept studies to precise detail mock-ups, form a series of artifacts, a comprehensive, three-dimensional narrative that traces the conceptual evolution and eventual execution of each project.
The work of Johnsen Schmaling Architects has been widely published in several books and numerous national and international design magazines, including Architectural Record, Metropolis, Azure, Dwell, Harvard Design Magazine, Interior Design, Contract, Modernism, Competitions, The New York Times, Deutsches Architektenblatt, Residential Architect, Plan Magazine, D Casa, and Monitor. Johnsen Schmaling's projects have been featured in galleries here and abroad, most recently in the exhibit "Young Americans" at the German Architecture Museum in Frankfurt surveying the work of emerging architecture practices in the US. In July, Johnsen Schmaling Architects will be featured in an exhibit at Aedes Gallery in Berlin. Johnsen and Schmaling have won several architectural competitions and have received numerous national and international design awards, and have lectured on their work around the world.
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