Published: Wednesday, October 31, 2007
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"The project for the new sports hall found itself in the midst of the rich historical, cultural and social Mediterranean context. Therefore, any new architectural intervention had to be respectful of the environment", says 3LHD on their design for the Sports/City Hall in Bale, Croatia. More

[L-R] Sasa Begovic, Marko Dabrovic, Tanja Grozdanic and Silvije Novak.
Sasa Begovic (1967), Marko Dabrovic (1969), Tanja Grozdanic Begovic (1968) and Silvije Novak (1971)
3LHD was established in 1994, simultaneously with Croatia's political and economic transition, which extends to the present (with mostly arduous consequences for both the constructed environment and for creative architects), a global theoretical and practical debate was under way on the role and destiny of architecture. 3LHD transformed both circumstances into advantages, infiltrating itself into a building practice through the side door of interiors and residential houses, due to their understanding of architecture which is equally based on super modern terms such as 'folding' and 'event', but also on an understanding of the eclectic spirit of the time imprinted on the pages of popular magazines. 3LHD acquired its metier skills wholly independently from its beginnings, following a difficult but exciting path under constant pressure from the laws of market transition.
3LHD developed a specific method of communication with investors at the intersection of cognitive and behavioral psychology and the complicated process of automobile production, which is based on the elaboration of patterns of effective expectations and achieved results. A pattern is a kind of "premarital contract" which makes design easier for the Studio and ensures a creative manipulative space, and the investor is guaranteed the achievement of wishes under the assumption that he understands them clearly from the beginning and that they were made in mutual agreement.
Such a principle, adequately formulated, deserves to become a course subject at the Faculty of Architecture, highlighting the fact that architecture cannot be operative (any longer) if it is practiced as a hermetic and not hermeneutic discipline.
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